Margrit Lendi
Editor-in-Chief · Desk E
Trained as a cartographer; edits like one. Believes every paragraph has a north.
02 — Masthead · Est. 2019
Helvetia began as an argument in a Zürich print shop: that a quarterly about design should behave like the thing it admires — punctual, ruled, and unsentimental. No photography, because photography lets the words off the hook. No trend reports, because trends report themselves.
What remained was the grid, the letterform, and the patience to measure both. Ninety-six pages, four times a year, set in two typefaces and one temper. We are read in forty-one countries by people who notice when a folio drifts.
02 / 04
Issue Nº 01, “Ragged Right”. Six hundred copies, stapled by hand in a Kreis 4 print shop. Sold out in nine days.
The desks are named A through E. Six years on, we have never needed an F.
First foreign-language reprint, in Japanese. The grid survives translation; two captions do not.
The redesign. Eleven weeks of work. Readers noticed a 2-point change in the folios and nothing else. Correct.
The Compendium: issues 01–12 in a grey cloth slipcase. The spine aligns when shelved in order. Of course it does.
Issue Nº 14, the one you are reading — on a screen, with which we have made a fragile peace.
03 / 04
Editor-in-Chief · Desk E
Trained as a cartographer; edits like one. Believes every paragraph has a north.
Creative Director · Desk B
Has redrawn the grid four times. Three of the four were quietly reverted.
Senior Editor · Desk A
Owns four thousand specimens of Akzidenz-Grotesk and is not finished.
Editor · Desk C
Reads buildings left to right, like everyone else, but admits it in print.
Editor · Desk D
Files at the deadline. Never before, never after. The copy arrives angry and clean.
Diagrams
Our only image-maker. Works in 0.25-point increments and bills accordingly.
Production
Knows the press operator’s birthday. The magazine has never shipped late.
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Disagree with any of the above? Write us a letter — 04